Showing posts with label Beauty. Show all posts
Showing posts with label Beauty. Show all posts

Wednesday, 8 April 2015

Drive-by Kalahari Scenes

By now you should know that I love the Kalahari desert.
It's a place that soothes the soul.
It's a place of silence, solitude, serenity and splendour.

Most of my visits to this region have been to the Kgalagadi Transfrontier Park, a National Park straddling South Africa and Botswana. Due to the nature of this place you are confined to exploring its landscapes photographically in two ways...within the confines of the rest camps and campsites, or from your vehicle as you drive around looking for wildlife (among which the magnificent black-maned lions of the Kalahari).

Over the years, I've managed to collect quite a few nice "drive-by" landscape photos in my pursuit to capture the arid beauty of the Kalahari effectively. It takes a different approach to traditional tripod-stomping, as you are really limited in how you can compose your photos. The following collection of images show some of the "drive-by" shots that I am most happy with to date. Most of these were taken handheld or resting on a beanbag on the vehicle door.

As always - the photos are best enjoyed by clicking on them...


1. "Kalahari Ghost Rain"
It gets very hot in the Kalahari - this image depicts "Ghost Rain", rain that evaporates even before hitting the earth. It's that hot! And this was taken right at sunrise!! Location - the dune fields between the Auob and Nossob riverbeds.


Nikon D800  |  31mm  |  f7.1  |  1/60 SS  |  ISO-640

2. "Southern Nossob"
A typical scene in the lower Nossob riverbed. Red sand dunes, camelthorn acacias, and big skies. This "river" runs only once every 100 years or so.


Nikon D800  |  24mm  |  Polariser  |  f8.0  |  1/320 SS  |  ISO-500

3. "Red and Blue"
A typical late morning scene in the northern stretch of the Auob riverbed. Another fossil river, this one experiences a flash flood a bit more regularly than the Nossob, perhaps every 20 years or so!


Nikon D7000  |  92mm  |  f8.0  |  1/200 SS  |  ISO-100

4. "Heart-shaped Cloud"
The space and the skies in the Kalahari are immense...and when the conditions are right you can capture something of that vastness on camera.


Canon 1000D  |  16mm  | Polariser  |  f11  |  1/80 SS  |  ISO-200

5. "Rain of Fire"
Although veld fires are common in the summer months, this was merely a spectacular sunset storm to the west, as seen from the lower Auob riverbed during a rare lush green season.


Nikon 1 V1  |  27mm  |  f3.5  |  1/200 SS  |  ISO-400

6. "Ominous Overheads"
The storms in this part of the world can get quite rough. We were parked at a waterhole on this particular afternoon when a ripper came through - dust, rain, wind and lightning...


Canon 1000D  |  16mm  |  f8.0  |  1/80 SS  |  ISO-400

7. "Road to the Kalahari"
Just a grab shot of the road in the northern Auob riverbed. Doesn't this just make you want to get in your SUV and drive to the Kalahari??


Canon 1000D  |  28mm  |  f18  |  1/160 SS  |  ISO-200

Did you enjoy these? I hope it inspires you to not neglect your landscape photography even when you are not allowed to leave the safety of your vehicle...

Let me know what you think - which is your favourite? I intend on building this collection with every return visit!


Morkel Erasmus

Wednesday, 24 December 2014

Christmas in the Mountains

Good morning friends!

I just wanted to write a short post wishing you all a blessed Christmas time, wherever you find yourself in this festive season. May God abundantly bless you and bring you safely to your loved ones so you can spend valuable time together.

My family and I will be camping in the Maluti mountains (Golden Gate Highlands National Park) this weekend with my extended family, so I am looking forward to some downtime and family fun. I might just get round to capturing some landscape images like the one below which was taken at this exact location back in 2011...

See you all on the flipside - take care!




Morkel Erasmus

Tuesday, 30 September 2014

Lions of the Red Dunes

I have just gotten back from hosting a Wild Eye Great Migration Photographic Safari, with a mountain of new images to catalogue and process. I am already looking forward to my next safari, though, and this one will be to one of my favourite wilderness areas - the Kgalagadi Transfrontier Park - with my favourite person: my lovely wife Nicole!

This park is known for its harsh landscape, its heat, and its amazing wildlife encounters - notably the black-maned male lions that call the Kalahari home.

Over the past 5 years I've been back many times, always looking for that elusive and iconic photo of a lion on or in front of the red dunes that line the Auob and Nossob riverbanks (these are fossil rivers that very occasionally in a century).

Here are 3 of my best attempts to date of capturing this scene...of course you can only capture what you are presented with, so it helps being at the right time and the right place. By now you know that I love adding context to my wildlife photos, and these kinds of photos leave you in no doubt as to where they were taken. As usual, clicking on the photos reveals the best display resolution and sharpness...


Nikon D3s  |  Nikkor 500mm f4 VR-II  |  1.4x teleconverter  |  f5.6  |  1/500 SS  |  ISO-800


Nikon D3s  |  Nikkor 500mm f4 VR-II  |  f5.6  |  1/400 SS  |  ISO-1600


Nikon D800  |  Nikkor 70-200mm f2.8 VR-II  |  f5.6  |  1/640 SS  |  ISO-100


Nikon D3s  |  Nikkor 500mm f4 VR-II  |  f4.0  |  1/200 SS  |  ISO-3600


Nikon D800  |  Nikkor 70-200mm f2.8 VR-II  |  f11  |  1/250 SS  |  ISO-800

Let me know which of these is your favourite! I will undoubtedly try to return with a better one in December. Your best photo is the one you will take tomorrow, is it not?

Until I write again, keep clicking!

Morkel Erasmus

Monday, 15 September 2014

Floodplains of Fantasy

You've heard me rant and rave about Mana Pools a couple of times. Words fail to describe the wonder and ethereal beauty of the place...but somehow so do the majority of photos taken there. Why is that?

Is it because photos are 2D, and the Mana Pools experience is immersive, holistic and overpowers all the dimensions you perceive and the senses you use to perceive them??

Is it because you feel so insignificant in this wilderness, that you actually feel that God made it too beautiful to capture perfectly on camera, so that you feel you have to return regularly to drink the beauty and the wilderness in??

I believe that these statements above are true...

On my previous visits, I refrained from trying my hand at wide-angle landscapes, mostly because I felt part of the beauty and allure lies in the trees, and to get a real sense of the forests on the Zambezi floodplains you typically need a longer focal length to add compression to the scene. Something like this...


Nikon Df  |  Nikkor 80-400mm VR-II @ 175mm  |  f11  |  1/500 SS  |  ISO-1100

The other problem is that I actually visit this place for the wonderful wildlife encounters you can have here, as well as the total disconnect from modern life and the rat race. The best time to do this is the dry season - meaning (like in most of Southern Africa) that the skies will be cloudless most of the time. This year, I hosted a Wild Eye photo safari to Mana Pools in early September, a little later than my previous visits...for one thing there was a LOT of haze during the first 2 days due to incessant fires on both the Zimbabwean and Zambian side of the Zambezi river. Luckily, a constant wind on our 3rd day blew all the haze to someplace far away, and we had 2 more days of nice clear skies. Our final afternoon, though, was a real treat for the landscape photographer that's hidden beneath all this wildlife bravado...high clouds.

Those of you who photograph sunrises and sunsets regularly know that high clouds are often an indicator of a wonderful sunset. The problem in Mana is that the sun sets behind the mountains on the Zambian escarpment, so you have no idea whether there are clouds on the distant horizon that will block those last magical rays of red sunlight that inflame high clouds like a rampant viral outbreak.

During our last drinks stop, some of my guests wanted to photograph the lovely trees on a certain stretch of the river close to the Trichilia campsite with wide angle lenses, and I was only too happy to join them. Like it so often does, the light on the high clouds looked to pop, then fizzled...and just as I was beginning to pack up the tripod - the sunset exploded!

Now, like I said earlier, I'd never really been able to get a composition that did the trees and all the elements of the landscape justice. For me, a landscape photo taken in Mana Pools needs to convey a real sense of the place...the massive trees (and I do mean massive), the barren earth with its termite mounds sparsely spread between those trees, an elephant (okay for a wide angle landscape shot this would be a long shot), the sparkle of the broad waters of the Zambezi river, and the rising escarpment in Zambia...the ideal Mana Pools landscape photo needs to take you there, especially people who have been there. It doesn't matter if you went once as a child 80 years ago or if you fervently make a near-religious pilgrimage to Mana, once you've been there, an ideal Mana Pools photo should transport you there in an instant.

During this particular sunset, I found a couple of compositions that I feel does this. This photo is the result of manually blending 3 different exposures to get the look and feel that I was after. I wanted it to convey the detail my eye saw in the tree trunks and the distant landscape, while still capturing that magical sunset colour and light. By using the main tree as a frame for the image, I think I have conveyed something of the size of these trees: like Ents of Middle-Earth the rise up and watch over the floodplains. These trees are called Faidherbia Albida, or Winterthorn, or Ana trees...and the pods that lie on the ground are a staple food in the dry months for all the herbivores that roam these floodplains.

Here are the settings, and please do yourself a favour and CLICK on the photo so you can view it against a DARK background (this way it really comes to life), and also so you can view it at a slightly higher resolution. It's worth it...

Techs:
Nikon D800
Nikkor 14-24mm f2.8 @ 14mm
f8.0  |  ISO-200



What do you think? This spot is incidentally close to where I photographed THIS elephant 2 days prior...

I think I will probably have to return and get a better one...well, I am using that as an excuse as I really will return. Every year, I will return, as long as I am able to do so...and I will try and share the wonder of this place with as many people as I can, as long as I am able to do so.

Thank you for reading my ramblings. Have a blessed day, friends!

Morkel Erasmus

Sunday, 13 July 2014

Two Young Kings

I thought it apt to post something that is NOT a "wider-showing-environment-animalscape" for a change, to show you that I do photograph tight, close portraits as well when I am in the field.

I was privileged to spend some quality time with these two brothers in Etosha last year during a week's intense photography and adventure with my friend Hans Rack. They were very cooperative models, and on my last afternoon in the reserve they posed very nicely in that soft glorious post-sunset light of Africa. The front-most lion was playing with a stick that you can see sticking up from the bottom of the frame.

I love the repetitive poses here, and the earthy tones in the shot overall.

Techs:
Nikon D800
Nikkor 500mm f4 VR-II
f5.6  |  1/200 SS  |  ISO-4000
Pretty much full frame, cropped a sliver off bottom to remove grasses protruding from the bottom and a sliver from the LHS for balance

click on the photo to display at proper resolution and sharpness

Thank you very much for following my work. Feel free to share with like-minded people!

Morkel Erasmus

Wednesday, 19 March 2014

Regal Eagle

There are many amazing birds of prey in Africa, but there is one that is undoubtedly the "king of the African sky" due to its beauty, splendour and hauntingly evocative, distinctive call. I am talking about the African Fish Eagle, of course.

During our recent Wild Eye photographic safari on the Chobe river that lies between Namibia and Botswana, we had some amazing encounters with these birds. This particular female was sitting on the edge of the river and we were able to glide our specialised photographic boat right up to her and capture some striking portraits. It's not every day you can be this close to a raptor in the wild and capture these images (the ones you normally see are taken of birds in captivity or in rehabilitation centres).

This photo is pretty much full frame at 36 megapixels, and the details are mind-blowing. I particularly love the tuft of feathers blown up by the wind on the crown of her head. I opened the aperture as wide as it can go to smooth out the green riverbank behind her and create a pleasing separation between subject and environnent. I was hand-holding my lens, so I pushed the shutter speed to a high enough value to compensate for possible camera shake.

I used the amazing Nik Color Efex 4 plugin to extract some more detail and contrast from the bird - since the conditions were overcast and the light was flat.

Techs:
Nikon D800
Nikkor 500mm f4 VR-II
f4.0  |  1/1250 SS  |  ISO-140

click on the photo to display at optimal sharpness and resolution

I hope you enjoyed this one. Have a superb day, my friends...

Morkel Erasmus

Thursday, 6 March 2014

A tree on a hill

I posted a pretty grim update on a poached rhino last night on my social media outlets, so I thought I'd just post a simplistic and serene landscape photo this morning to make up for it. I haven't been out photographing landscapes properly in a long time - I blame the wildlife haha.

This is from my archives - a trip in November 2011 to be exact. What was supposed to be a relaxing fly-fishing retreat with good friends inevitably turned into a photographic mission for me as I woke up one morning to what looked like a promising sunrise. I trudged up the hill behind our little cottage, and looked for a composition before the light peaked. I found my composition, but the light didn't really "show up" as well as I anticipated. It's still a decent image and I've kept it. What do you think?

Techs:
Nikon D3s
Nikkor 14-24mm f2.8 @ 14mm
f16  |  ISO-200  |  Blend of 3 exposures using manual luminosity masks in Photoshop


click on the image to display at proper resolution and sharpness

Thanks for your time, my friends!

Morkel Erasmus

Thursday, 2 January 2014

Moments of Marvel in 2013

It's that time of the year again, friends...when we all look back and take stock (in many areas of life). As I've done in the past few years, I am again going to post a collection of my favourite images from my travels this year. This year was quite busy for me (nothing new there), both on a personal level and photographically. For the past 2 years I ended up selecting photos grouped into Top 5 landscape, Top 5 birds and Top 10 wildlife. This year, I will attempt to do so, but as I type this I'm not sure if it will end up being "10" or "20" or somewhere in between. Let's do this, then...

You can see my previous similar posts here:
2010
2011
2012

The photos are not arranged in order of personal preference/significance, but chronologically - as the year went by and the various trips/safaris were taken. I will relate a little bit of the story behind the shot every time, just because I like to ramble a bit and I know there are people who might be interested.


As always, the photos will display at ideal resolution and sharpness if clicked on!



________________________________________

TOP 5 LANDSCAPES

I enjoy photographing landscapes and the fall of light on the earth very much, though I probably should try and make more time for it in 2014. It's those dang animals that get in the way of my landscape photography, eh!

1. "Chobe River Sunset"
This has to count on one of my all-time most epic sunset skies ever witnessed. Unfortunately I wasn't able to capture it decently with a tripod until it had already started to fade (we were on a small boat prior to me getting out and setting up for this shot). Keeping watch for stray hippos, crocs and elephants while shooting a sunset is also usually exciting!

Nikon D800  |  Nikkor 14-24mm f2.8  |  f16  |  ISO-200  |  Blend of 3 exposures

2. "Crystal Lake"
I was on holiday with my wife and kids in the southern Drakensberg region of South Africa, and this is the main lake of the Castleburn resort where we were staying. I captured this photo as a single exposure, handheld, after a storm had passed through. There's just a crispness and tranquility to this that resonates deep within my soul.

Nikon D800  |  Nikkor 14-24mm f2.8  |  f5.6  |  1/200 SS  |  ISO-64

3. "Cotton Candy Clouds"
This photo is from the same family holiday. Most sunrise and sunset skies during this week were overcast and colourless, but on this one morning I was glad I did get up early and trudge (I was unfit and huffing quite a bit afterwards, LOL) up the mountainside to capture these amazing skies. The various tones in the clouds here make it for me, even with the "lack" of a close foreground anchor.

Nikon D800  |  Nikkor 14-24mm f2.8  |  f11  |  ISO-200  |  Blend of 2 exposures

4. "Death under the Stars"
This photo was taken at a remote research waterhole in Etosha, Namibia. I posted a blog about this one not too long ago - you can read up on it HERE. The thrill of elephants and rhinos walking past not too far from us in the dark will always stay with me.

Nikon D800  |  Nikkor 14-24mm f2.8  |  f2.8  |  30 seconds  |  ISO-3200

5. "What's lion in that tree?"
This is not a landscape photo in the traditional sense. There's also no magical display of light going on here. This does, however, reflect something that's a big part of my style of shooting - showing animals in their environment. This was taken during the safari I led for +Wild Eye to the Masai Mara in Kenya. Can you spot the lion?

Nikon D800  |  Nikkor 70-200mm f2.8  |  f8.0  |  1/400 SS  |  ISO-640

________________________________________

TOP 5 BIRDS

I didn't focus as much on bird photography (yes, it's an intended pun) during 2013 as I normally would have. Still, there were some moments that stood out...

1. "Flight of the Fish Eagle"
This iconic bird has long been my favourite African raptor. Wait, rather, it's my favourite bird period. The only other bird I find as enthralling is its cousin, the American Bald Eagle. This photo was taken from the specialised Wild Eye photographic boat on the Chobe river in Botswana.

Nikon D3s  |  Nikkor 500mm f4 VR-II  |  f7.1  |  1/2500 SS  |  ISO-640

2. "Angel Wings"
There is a spot close to my home where you can get amazing opportunities to photograph the elusive Marsh Owl in the last hours of daylight in the winter months. I just couldn't get there in 2012, and made a plan to go there in 2013. I got lucky one afternoon with this owl flying against the setting sun.

Nikon D3s  |  Nikkor 500mm f4 VR-II  |  1.4x teleconverter  |  f7.1  |  1/1600 SS  |  ISO-1250

3. "Mahem in the Mara"
The Crowned Crane (or Mahem Crane) is a quirky but beautiful bird. We had some great sightings of them in the Mara Triangle. You can read more about this photo in THIS blog post as well.

Nikon D3s  |  Nikkor 500mm f4 VR-II  |  f4.0  |  1/320 SS  |  ISO-800

4. "Landing for Lunch"
I love how certain sightings can deliver multiple keeper photos of varying subjects. After photographing a Cheetah taking down a Thomson's Gazelle and devouring it, the ensuing squabble between the various species of vultures that inhabit the Mara-Serengeti ecosystem provided many photographic opportunities.

Nikon D3s  |  Nikkor 500mm f4 VR-II  |  f11  |  1/1000 SS  |  ISO-1250

5. "Pharaoh's Chicken"
One of the most elusive species of vulture in Africa is the Egyptian Vulture. We were fortunate to spend a good deal of time with this one who was feeding on a wildebeest carcass in the Masai Mara National Reserve. This surely isn't the most spectacular avian photo I've ever taken, but the sighting is right up there and the photo(s) serve as a reminder of it.

Nikon D3s  |  Nikkor 500mm f4 VR-II  |  f8.0  |  1/1250 SS  |  ISO-400
________________________________________

TOP 10 WILDLIFE

It was again a spectacular year for me in terms of great sightings and fruitful photographic opportunities. Trying to whittle them down to only 10 is a tough task. I think what is represented here is a list of favourite moments - whereas some of the sightings might have delivered many photos that could potentially "make the cut", I kept it to one photo per sighting in this list. Much of wildlife photographic success hinges on an element of "luck" - being at the right spot at the right time, but once you are there, which settings you opt for in the camera and how you compose/frame the story is what really determines your success. Preparation, knowledge of your gear, knowledge of animal behaviour/habits and luck all come together in these instances.


1. "Chobe Clash"
This was nothing more than a playful hullabaloo between two juveniles, but it was interesting seeing the Elephant behind the Hippos standing as if refereeing a boxing match. Taken from the Wild Eye photographic boat as well.

Nikon D3s  |  Nikkor 500mm f4 VR-II  |  f4.0  |  1/400 SS |  ISO-4000

2. "Chums on the Chobe"
We had many interesting moments on the Chobe river...but this one stood out for me due to the magnificence of seeing Africa's largest land mammal dwarfed by the immense skies and the broad river.

Nikon D800  |  Nikkor 70-200mm f2.8 VR-II  |  f8.0  |  1/640 SS  |  ISO-320

3. "Proud Rhino"
Up to the start of this year, my portfolio was severely lacking in any noteworthy photos of the enigmatic and endangered Black Rhino. I can happily say that situation has now been remedied! This old bull was snorting and kicking up dust as he smelled us - this image was taken after sunset in that lovely post-dusk glow of Africa.

Nikon D3s  |  Nikkor 500mm f4 VR-II  |  f4.0  |  1/60 SS  |  ISO-5000

4. "Dawn Patrol"
I like to get as low as possible of a shooting angle when working with wildlife. It's not always easy when you are confined to a vehicle (though there are ways to achieve it in that setting), but it's much easier when you are sitting in an underground concrete bunker next to a remote waterhole in Etosha National Park, Namibia. This young male lion came right up to my position. I used exposure blending techniques to get the sky looking like I remember it (the camera was set to expose for the lion and that made the sky a bit bright).

Nikon D800  |  Nikkor 70-200mm f2.8 VR-II  |  f4.0  |  1/200 SS  |  ISO-400

5. "Shake it Off"
Nothing quite emphasises the size of a big African Elephant like shooting at and extremely low angle at close range. This big boy was in a state of musth, causing his hormones and temper to get the better of him. The way the dust puffs from his face immediately made this a favourite.


6. "Forest Light"
I don't think I will ever get enough of the light that filters through the forests of Mana Pools in Zimbabwe. Nor will I ever get enough of the amazing beauty of said forests - where massive albida trees make even elephants look small, it's a place that has to be seen and relished. This photo was taken as the sun was setting and the light was creating shafts through the canopy. The impala just walked right into my shot (I was just busy photographing the light and scene).




7.  "I bless the rains down in Africa"
Yes, I just pulled a line from the famous Toto song. I would really have thought that an image from one of the massive Wildebeest crossings we saw in the Mara Triangle this year would make it into this selection - but this image stands out more for me - it captures something of the mood and magic of driving on these plains where a grand spectacle has been churning out year after year, long before we had the means of observing and reveling in it. It's gonna take a lot to drag me away from the Mara...(yes, I did it again!)




8. "Lockdown"
Many people don't like to observe and photograph the life-and-death struggle that plays out in the African bush day by day...and I get it. I personally don't have a penchant for seeing gory images of predators on kills - but there's something primal to the actual struggle, the tussle, the clash of survival-driven will that I find absolutely fascinating. On the one hand, the drive to obtain food and make it through another day or week, and on the other the drive to escape the impending doom and make it through another day. The expression on the face of this poor young Wildebeest says it all. We literally stopped to photograph these lions in the grass on the banks of the Mara river when their unfortunate victim scrambled up the bank after crossing the river solo. It was all too easy.




9. "Riding Bareback"
I apologise upfront - it's another image depicting the struggle between predator and prey in Africa...this one was covered on my blog previously, and you can read more about it HERE. I am obviously disappointed about the horn of the Thomson's Gazelle being clipped at the edge of my frame, but other than that I am very pleased with capturing an image of this quality at the speed at which this happened.




10. "The chase was relentless"
My last wildlife image shows another aspect of the predator-prey dynamic. On our last full day in Etosha during November 2013 I was the only person to witness lions taking down a fully grown giraffe bull right next to my vehicle. It was an amazing sighting, and surprisingly "un-gory", which made the photography much easier. I've got many action shots of the process of taking down the giraffe, but one of the frames that stood out the most to me was this one. It seemed the pride had been running down the massive ungulate for at least 3 to 4 hours during the night/early morning, as the giraffe was utterly spent by the time he turned around to face his attackers, and the lions all took a long rest before even starting to feed on their quarry once the big bull had fallen. This lioness taking a short nap on her new "pillow" really made for a unique moment in my documentation of natural history.




_______________________________________


There you go. I have many images from this year that I haven't even processed yet, and some of them may even be "better" (for what that term is worth) than the ones I opted to publish here, but you can't please everybody all the time. Some images are being kept "back" for use in competitions in 2014 - so hold thumbs for me!

For those of you who are also budding nature photographers: I hope you also had a great photographic year in 2013. I hope that you grew in your craft, your understanding of nature and the role of nature photography in conservation and raising awareness, and in your appreciation of the wild places that still exist as the human encroachment spreads wider and wider every year. I hope that you will continue to grow in 2014, that you will be able to travel to some of your bucket-list destinations and that you will find even more joy in spending time in God's glorious creation.

A last thought - if you would like to join me in creating images in some of these iconic locations in 2014, you can check out the safaris I host with Wild Eye HERE

Keep well, until I write again!

Morkel Erasmus

Thursday, 21 November 2013

Happy Hour Rush

Elephants love water. You know that by now (at least some of you do). I love watching breeding herds rush to the water as they start to smell the nourishment. One of the best places to do this is around the waterholes of Etosha National Park in Namibia, which is exactly where I am headed from tomorrow...

This photo is from an earlier visit to this magical place. The dust, the dusk sky (past sunset already) and the rushing herd in an open setting made for fantastic viewing and photography. With the sun already set, I needed to push the ISO and drop the shutter speed a bit to get a sharp shot and keep the ISO from rocketing to the 50,000s. This photo is best viewed against a darker background to pick up on all the subtle detail.

Techs:
Nikon D3s
Nikkor 500mm f4 VR-II
f4.0 | 1/250 SS | ISO-4500
Exposure Bias -1 EV (to accentuate mood/dust and also get ISO a bit lower)

click on the photo to display properly
 You can look forward to more images from Etosha when I return!

Morkel Erasmus

Sunday, 11 November 2012

Kgalagadi: September 2009 (Part 5)

We were spending two nights in this camp - the Kalahari Tented Camp. This is the view from our verandah that night:



And this is the view from the braai ("braai" is a South African word for "barbeque"). Over the ridge/dune you see in these photos lies Namibia.




After the really long drive of the previous day and the excitement of the cheetah sighting, we decided to stay in our camp the following morning and enjoy the stillness and vistas of the Kalahari.

Here are some photos taken of the local Yellow Mongooses and birds that morning in the Kalahari Tented Camp.











The Crimson-Breasted Shrike is a beautiful bird - see for yourself!





A Pygmy Falcon was sitting in a tree in the riverbed in front of our tent.




Some more Yellow Mongoose and Ground Squirrel shots:









After a hearty lunch and some siesta-time, we took off for an afternoon drive. We went southwards, as far as the hyena den close to Urikaruus.

Swallow-tailed Bee-eater:

Dead Camelthorn tree:




Black-backed Jackal hunting for rodents (and being quite successful!) - crap photos though:







Kori Bustard (Africa's largest flying bird):


We reached the hyena den, with some of the cubs peeking out, but no movement or action there to speak of:


We turned back. At the 14th Borehole waterhole we saw a Lilac-Breasted Roller (one of Africa's most beautiful birds):




On the loop to Dalkeith waterhole we found some Bat-Eared Foxes out hunting as the day was drawing to a close. It's always a joy to see these chaps.







The sunset was beautiful that evening:




We'd had a relatively quiet day, but enjoyed being in the Kalahari nonetheless. This place helps you enjoy the small things and the sheer variety of life that exists in this harsh landscape. The next day we would be off to the Nossob camp, more to the Botswana side...and it would be an exciting drive there! Watch this space...

Morkel Erasmus