Mahem in the Mara

During the recent Wild Eye photographic safari that I led to the Mara Triangle in Kenya, we had some very nice sightings of (in my mind) Africa's most beautiful crane species - the Southern Crowned Crane (or Mahem Crane). This photo was taken as the early morning light burst through the clouds on the horizon and lit up the outline of this crane as it was performing a mating dance.

Techs:
Nikon D3s
Nikkor 500mm f4 VR-II
f4.0  |  1/320 SS  |  ISO-800

click on the photo to view properly

Ready to roll with this week - bring it on!

Morkel Erasmus

PhotoShare: Kissed by the Sun

It's been a while since I shared a photo outright on my blog for the sake of just sharing a photo. Here's one I processed last night from a 2012 trip to the Kalahari. The first rays of sunlight were just enveloping this lone giraffe and I loved the mood. What do you think??

The key to a good rim-light photo is proper exposure. If you have time, play around until the histogram looks good and you have good shadow and highlight detail...

Until next time!

Morkel Erasmus

Shooting against the light

We've all been there...you are sitting at an awesome sighting, watching some beautiful animal or bird...but the light is just W-R-O-N-G...

Now you've got 2 options. Either you pack away the camera and just enjoy the sighting...or you try to work with the light you have and create some images that might come out better than you thought, or better yet, might come out a litte 'out-of-the-box'. In this post I will elaborate on some of these situations you might encounter, and also show some of the images I have been able to capture in similar cases which I thought came out okay.

The classic case is the "back-lit" image, where the light comes from directly opposite your viewing position and you have to use it to enhance the contours and outlines of your subject. The key here is to ensure you under-expose significantly to ensure you capture the mood and don't blow the highlights. You can either do this by manually adjusting exposure or exposure compensation bias and checking the histogram, or if you like to use your metering function apart from your focusing function you can meter off the brightest highlights.

Another angle of light we encounter in the field is a case of strong 'side-light'. In this case the light hitting the subject creates a stark contrast between one part of the subject and another. Obviously this is only possible in the early morning and late afternoon...no noon-time shots available here! The ideal exposure for me in cases like this is to obtain enough detail in the shaded parts without making it look unnatural and without blowing out the highlighted areas.

 

The key to facing a situation where the light is challenging, is to know your equipment well, know how to use your exposure bias setting to achieve an over- or underexposed shot, and think creatively...in the end the best images are formed in your mind's eye before you even trip the shutter.

We all want those moments of "perfect" light, but they seldom are perfect...my advice would be to make the most out of the situations you do find yourself in when you are out in the field. Most of us have so precious little time to spend in the field to begin with!

Here are some more images I have been able to capture in these kinds of light.

Till next time!

Morkel Erasmus

WORKING THE LIGHT

Hello again everyone...

I thought it was time for a new post since we're already a few days into August. My, how this year is just rocketing past!!

Sometimes we find ourselves in that "sweet spot" for photography. You know - the golden morning/evening light from the sun teetering on the brink of the horizon falling over your shoulder and straight onto whatever animal or bird happens to be caught in your viewfinder at that moment. Everything just comes together...like these giraffe I found the other day in the Pilanesberg National Park in South Africa:

More often than not, however, we find ourselves in a situation where it's just not possible to get into that "sweet spot". In many cases it's an insurmountable task to get ourselves in that position due to terrain constraints or the fact that you might not be allowed to go off-road in certain reserves (at least that's the case for most of the places I go on safari to), but at other times there's just not enough T-I-M-E to do so...these "truly" golden minutes only last for a few fleeting moments after all.