Showing posts with label review. Show all posts
Showing posts with label review. Show all posts

Sunday, 11 September 2016

Wildlife Photography with the Nikon D810 and 400mm f2.8

When Nikon in South Africa approached me  in September 2015 to test out the Nikon D810 and the new lightweight Nikkor 400mm f2.8E FL VR lens I was relishing the opportunity - you see, I was heading to the Mara Triangle in Kenya (part of the Maasai Mara ecosystem) to host a photographic safari in the Maasai Mara for the Great Migration for Wild Eye.

I was looking forward to putting this camera–and–lens combo through its paces in an environment where anything can happen at any distance from the vehicle. The in-camera crop factor (Image Area option) of the Nikon professional FX series provides a great option to extend the effective focal length of the lens.  

f8.0  |  1/2000 SS  |  ISO-280  |  EV -1

First off - the D810 is an amazing camera. I was blown away by its dynamic range and amazing image resolving capabilities. The D810 was improved.  Dynamic range and low light image quality (high ISO in other words), while offering a higher frame-rate for on demand shooting with an increased buffer capacity. The quiet shutter, intuitive feels and excellent build quality of the D810 makes it a joy to use.


f4.0  |  1/500 SS  |  ISO-2000  |  EV +0.3

Now for the lens! I have just traded in my Nikkor 500mm f/4 for the previous version of the 400mm  2.8 - so knowing what that beast weighs, the first time I picked up the new 400mm f/2.8 from its case which also looks quite different than previous Nikkor super telephoto lens cases, I was flabbergasted by just how light it really is. At first touch, it feels only slightly heavier than a 300mm f/4 would feel.  It is as sharp as you can imagine and the focus acquisition is snappy and responsive, making the lens a real pleasure to work with in the field.

f18  |  1/10 SS  |  ISO-500  |  EV 0

Coupling them and knowing how and when to use the aforementioned in-camera crop modes ("Image Area") you can really utilise this combo for a great range of scenarios. If you leave the 400mm f/2.8 on the camera without adding a physical teleconverter, you can achieve the effective focal length of 480mm f/2.8 at 25 megapixels on the 1.2x crop setting.  If you go to the DX crop setting you can get an effective 600mm f/12.8 at roughly +- 15.4 megapixels.  Some folks will say they'd rather crop in processing and you can - but what makes it a tempting option is that your continuous frame rate for action sequences increases from 5fps to 6fps in these crop modes. If you use the MB-D12 battery grip (also compatible with the D800/D800E), you gain another boost to 7fps in the crop modes.

f4.0  |  1/1000 SS  |  ISO-1250  |  EV 0

I always shoot my Nikon cameras in manual mode with auto ISO enabled. This allows me to select the shutter speed and aperture that I feel would contribute to the kind of image I am looking to create, while allowing the camera to select the  ISO automatically (hinged to my selected exposure   bias). I know I can implicitly trust my cameras to perform up to very high ISO and the D810 was no exception. Of course, having the option to go to an aperture of 2.8 when using varying shutter speeds helps! Read more on my preferred setup using auto ISO in THIS blog post.

f4.0  |  1/1250 SS  |  ISO-360  |  EV -0.7

I would highly recommend this combination to wildlife and sports photographers. Given the fact  that the D810 is the perfect landscape and portrait camera already, the added benefits of using it like I did for wildlife, pretty much makes it one of the best all-round combinations  I have ever had the pleasure to use. The lens is a dream. If the older 400mm f/2.8 always felt a tad heavy to you and that was the only thing holding you back – you need to get this lens in your hand and feel the weight difference. It is a strong selling point!

f22  |  1/30 SS  |  ISO-64  |  EV -1

Until next time, keep clicking!

Morkel Erasmus




Monday, 27 January 2014

Looking Back

Looking back...

As a photographer it's always nice to look back and see how you've grown in your craft. As a wildlife photographer, it's also nice to see how you've grown in your understanding, appreciation and interpretation of the wonders that nature throws at you. For me, this has culminated in an annual "best of" post on my blog at the end of a calendar year. Yesterday, I looked through my "best of" collections since 2010 and enjoyed seeing how I've grown in my craft, and also loved remembering all those moments in the wild so vividly. If our photography does nothing else, it should at least transport us back to a moment in time, and make us relive it for a brief interlude. Below, you can see all my annual reflections since 2010. I'd love to know what you think about how my own style and interpretation has developed over these short few years that I've been enveloped by this passion and artform.

2010: http://bit.ly/MorkelTop2010
2011: http://bit.ly/MorkelTop2011
2012: http://bit.ly/MorkelTop2012
2013: http://bit.ly/MorkelTop2013

#wildlifephotography #throwback #yearinreview #growth




Morkel Erasmus

Friday, 4 January 2013

My 2012 in Review

Can you believe we are sitting in the year 2013 already? Every year feels like it's a flyer, but to me personally, 2012 felt like it went by quicker than any previous year. It's obviously a factor of how busy you are and how much you enjoy every day of your life - if you are discontent in everything you do I am sure the days will seem like they never end.

I've not been an avid photographer for very long, but for the past 2 years I compiled a best of post at the end of the year. For some it's a pretty cliche thing to do, but I don't really care, as for me it helps me look back over my photography of the past year, and recall some of the amazing memories that went along with tripping the shutter at specific times and in specific places. Often these memories link me to the adventure that was had, the people I shared it with and the total awesomeness of God's creation that I have the privilege of seeing and photographing.

So, as you can guess from the title, this year I am at it again. I quite like how I did it LAST YEAR, so I will try and follow a similar format,  showing my Top 5 landscape photos, my Top 5 avian (bird) photos and my Top 10 wildlife photos (since wildlife make up the majority of my photographic focus). Also take note that these are not necessarily the best photos I took this year (who can determine that anyway??), they are not even necessarily my favourites (I have not even had time to work through all the photos I took this year properly), but they do epitomize the experiences behind them for me, and that's what I want to showcase. I am grateful to have shared some of these moments with great friends and fellow-photographers like +Felix Reinders+Marlon du Toit+Andrew Aveley and +Gerry Van der Walt.

Shall we begin??

PS: click on the photos to display at best sharpness/resolution...
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TOP 5 LANDSCAPES

1. Ruined Sunset (February)
Mpumalanga Highveld, South Africa


Nikon D3s  |  Nikkor 14-24mm f2.8   |   f11   |   ISO-200   |   Blend of 3 exposures for dynamic range
I would be a bad photographer in my own book if I didn't include an image in this piece that was taken close to home. Most of us just cannot be out in the field all the time (present company included), and it's important to find some local spots to explore and practice your art and fieldcraft on...whether this be a local birding hotspot or a spot with nice views for landscape photography. This old farmyard ruin is located on the farm of a family friend, about 20km from my house. I try to get out there whenever I see a great sunset brewing...you see I live in a place that is quite flat and featureless, but has awesome skies and summer stormy skies. I would be the first to admit that I don't utilise this aspect to its full potential. Perhaps a good resolution for 2013...


2. Kalahari Rainscape (March)
Kalahari desert, South Africa


Nikon D7000  |  Nikkor 70-200mm f2.8 VR-II  |  f8  |  1/1000 SS  |  ISO-200
You should know by now that I am really passionate about the Kalahari desert, specifically the Kgalagadi Transfrontier Park. This year we made our first visit in the midst of the rainy season, and found the semi-desert surprisingly green. Thundershowers were a daily occurrence, and this one was photographed in a very isolated part of the park as we sat waiting for some wildlife at a waterhole.


3. Zambezi Nights (June)
Mana Pools, Zimbabwe


Nikon D3s  |  Nikkor 14-24mm f2.8  |  f2.8  |  30sec SS  |  ISO-3200
Camping in Mana Pools National Park on the banks of the mighty Zambezi river in Zimbabwe was one of the highlights of my year. I've never been to a more pristine and more remote place, a last vestige of truly wild Africa. This photo was captured viewing the course of the Zambezi to the west, towards the very far-off Indian Ocean. To join me in Mana Pools on a safari next year, click HERE.


4. Dawn in the Wilderness (June)
Zambezi river, Zimbabwe


Nikon D3s  |  Nikkor 24-70mm f2.8  |  f11  |  ISO-200  |  Blend of 3 exposures for dynamic range
Staying in Mana Pools, here is the sunrise over a slinking stream in the riverbed of the Zambezi. This was in the middle of the dry season - in the summer you would not see open land in this broad riverbed. Standing here and witnessing this was like watching the sun rise over Africa for the first time, and for a moment I imagined that I was Livingstone...


5. Castle Rock Ablaze (December)
Brenton-on-Sea (Knysna), South Africa


Nikon D800  |  Nikkor 24-70mm f2.8  |  f16  |  8sec SS  |  ISO-200
My last selection for the landscape portion of this overview was taken right before Christmas on the beach of Brenton-on-Sea in the midst of torrential rain and lightning overhead (wouldn't you risk it a bit for this kind of light?). Andrew Aveley, a fellow Wild Eye ambassador, shared this glorious sunset with me. I rue the fact that I didn't explore more compositions, but truth be told I was struggling more to keep my camera and lens dry than I was focusing on changing the composition here.

I did not do enough proper landscape photography in 2012, and that's something I hope to remedy in the coming year, as it's something I really enjoy doing. Let's move on to the feathered friends.




TOP 5 AVIAN

1. Bob the Builder (January)
Pilanesberg National Park, South Africa


Nikon D3s  |  Nikkor 500mm f4 VR-II  |  1.4x teleconverter  |  f8.0  |  1/2500 SS  |  ISO-1800
This is a photo I had been wanting for a long time: a Southern Masked Weaver returning to his nest-under-construction with new building material. I captured this photo in the Pilanesberg National Park, South Africa. I had to pre-focus on the nest, dial in enough depth-of-field and keep my non-camera-bound eye open to anticipate his return.


2. Rocket Landing (February)
Marievale Bird Sanctuary, South Africa

Nikon D3s  |  Nikkor 500mm f4 VR-II  |  f8.0  |  1/8000 SS  |  ISO-4000
Few South African bird species present as much of a photographic challenge as the lightning fast little Malachite Kingfisher. I was fortunate to capture this frame one morning at the Marievale Bird Sanctuary in South Africa.


3. The Secretary
Kgalagadi Transfrontier Park, South Africa


Nikon D3s  |  Nikkor 500mm f4 VR-II  |  1.4x teleconverter  |  f5.6  |  1/1600 SS  |  ISO-640
I posted a Secretary Bird taking off in my selection last year too. This one was taken in the last light of day in the Kgalagadi Transfrontier Park. The bird was flying right above the South African border with Botswana, coincidentally, at this point.


4. Incoming Kite
Kgalagadi Transfrontier Park, South Africa


Nikon D3s  |  Nikkor 500mm f4 VR-II  |  f5.6  |  1/2500 SS  |  ISO-800
We witnessed a strange phenomenon during our February/March visit to the Kalahari. Hundreds of Yellow-billed and Black Kites had congregated in the Nossob riverbed to feed on some sort of termite or insect spawn brought on by the summer rains. It was a joy to watch and photograph them from the Nossob rest camp hide. This is a Black Kite coming in for a landing.


5. Wet Look (April)
Greater Kruger National Park, South Africa


Nikon D3s  |  Nikkor 500mm f4 VR-II  |  f4.0  |  1/500 SS  |  ISO-2500  |  EV +3
The Burchell's Coucal is normally a secretive bird, preferring thickets and dense foliage - very often heard and not seen. On a rainy day in the Sabi Sands Game Reserve I found this one looking wet and miserable out in the open. I made sure to overexpose for the bright sky behind the bird, and came away with some interesting high-key photos.




TOP 10 WILDLIFE

It was REALLY hard to pick only 10 out of this year's crop of wildlife images. It's been a great year for me in terms of building my portfolio and getting some very interesting images (at least in my own mind - though I hope you'd agree after this post). Again, I am arranging them chronologically as the year progressed, and not in order of personal preference.


1. Speedy Siblings (March)
Kgalagadi Transfrontier Park, South Africa


Nikon D3s  |  Nikkor 500mm f4 VR-II  |  1.4x teleconverter  |  f5.6  |  1/800 SS  |  ISO-1400
I've been treated royally by the Kalahari cheetahs on my recent trips to the Kgalagadi Transfrontier Park. On this particular occasion, Felix Reinders and I followed a cheetah mother and her 3 adolescent cubs as they walked up the Auob riverbed. Suddenly the youngsters got a surge of energy and started frantically chasing each other. I ended up with "too much lens" as they hurtled closer at full speed but came away with some keepers. Those who prefer bird photography to mammal photography often bemoan the static nature of much of the mammal species for much of the day. I must agree that one has to be even more patient and have some luck on your side to get good action photos of mammals.


2. Who's the king now? (March)
Undisclosed Location


Nikon D7000  |  Nikkor 70-200mm f2.8 VR-II  |  f8.0  |  1/320 SS  |  ISO-450
The light may not have been the best, but as a sighting this just rocked. Imagine a coalition of 4 male lions in their prime, kings of their domain, lounging around and surveying their territory. Enter a crash of white rhinos...who smell the lions and come closer for investigation...causing the lions to get up quickly and saunter away disgruntled at having to give up their comfortable resting spot. Moments later the agitated rhino bull chased one of its kids and one of the lions right past us (missing us by meters). Seeing the interaction between these 2 members of the Big 5 was special.


3. A stroll in the forest (June)
Mana Pools National Park, Zimbabwe


Nikon D3s  |  Nikkor 500mm f4 VR-II  |  f5.6  |  1/640 SS  |  ISO-2000
You'll inevitably see a few images from this trip in this selection. It was a defining part in my photographic year and one that moved the iconic location of Mana Pools to the top of my list of favourite safari destinations in Africa. Marlon du Toit and I spent an entire day following these elephant bulls on foot as they went about their business. The light and forest setting makes this magical and has etched this moment in my mind for a long time to come.


4.  A Fine Balance (June)
Mana Pools National Park, Zimbabwe


Nikon D3s  |  Nikkor 500mm f4 VR-II  |  f5.6  |  1/500 SS  |  ISO-1250
There's a good chance you've seen this one shared on social media this year. It also got some nice publicity through news syndication as a news story. I captured this on the same morning as the previous photo. Some elephant bulls in the Lower Zambezi valley have learned how to reach the juiciest, most succulent leaves in the massive trees. Remember that you can join us on safari in Mana Pools in July 2013. You can find more details HERE.


5. Lazy Dog (June)
Mana Pools National Park, Zimbabwe


Nikon D3s  |  Nikkor 500mm f4 VR-II  |  1.4x teleconverter  |  f5.6  |  1/400 SS  |  ISO-1800
We also spent 2 afternoons in Mana Pools flat on our bellies in a sandy riverbed with a pack of highly endangered African Wild Dogs. Prior to this year I had just about zero usable photos of this species in my portfolio. With fewer than 5,000 individuals estimated to survive in the wild, this species is on the brink of a disaster...and it's a shame as they are fascinating mammals. You can find out more about this species and the conservation efforts in Zimbabwe at www.painteddog.org.



 
6. The Approach (June)
Mana Pools National Park, Zimbabwe


Nikon D3s  |  Nikkor 500mm f4 VR-II  |  1.4x teleconverter  |  f6.3  |  1/320 SS  |  ISO-5600
Not only did we spend some time observing this pack of canines from a safe distance, taking some nice photos...the Alpha Male decided to take a closer look at us on the 2nd afternoon...and came to within 10 meters from us, before plopping down and lying next to us for a few minutes. A totally exhilarating experience that I shall not soon forget! This image is not cropped - it's shot full frame in portrait mode! You can read more about this experience HERE.


7. King of the Kalahari (November)
Kgalagadi Transfrontier Park, South Africa


Nikon D3s  |  Nikkor 500mm f4 VR-II  |  f8.0  |  1/1250 SS  |  ISO-450
The next few posts are all about the lions. Though the Kalahari is traditionally a great place for viewing lions, I've mostly had average photographic opportunities of them during previous trips. Not during our November trip (which was an unplanned one), which was lion-infested! This is the most regal, majestic and beautiful male lion I have ever seen in the wild. We found him on 3 occasions, and on this morning he was patrolling his territory with a confident stride, roaring loudly with a blood-covered face from the previous night's feed. Look at that specimen! I have seen many many lions in my lifetime...and none of them come close to this guy.


8. Eyes on the Prize (November)
Kgalagadi Transfrontier Park, South Africa


Nikon D3s  |  Nikkor 500mm f4 VR-II  |  f5.6  |  1/800 SS  |  ISO-3200
During our recent Kalahari safari I was privy to witnessing (and photographing) an entire lion kill from planning to mealtime. I will do a proper blog post about this sighting soon! This frame was pre-visualised and executed at the only moment that it could be achieved. It's not often that I am able to really capture a whole story and so much context into one shot. The tensely poised huntress, the dawn breaking in the background, the open setting, the seemingly blind eland antelope, the anticipation of what's to come. 

 If I had to choose an absolute favourite for the year, I think this photo would be it...


9. Lion in Flight (November)
Kgalagadi Transfrontier Park, South Africa


Nikon D3s  |  Nikkor 500mm f4 VR-II  |  f5.6  |  1/800 SS  |  ISO-2500
This frame was taken shortly after the previous one. The chase started in a frenzy and I was able to track the leading lioness for quite a few seconds, getting a number of sharp shots. This was my favourite pose, with her running through the dust kicked up by her prey. It's sad to think that these magnificent and iconic cats face a dire future, with their numbers plummeting to a mere 30,000 odd left in the wild. Please check out www.lionaid.org and www.causeanuproar.org for more info on the lion epidemic and how to get involved.


10. Crashing
Undisclosed location


Nikon D3s  |  Nikkor 500mm f4 VR-II  |  f8.0  |  1/640 SS  |  ISO-1800

In the light of the recent Rhino Poaching crisis (well, it's not that recent anymore, is it?) I felt compelled to include an image showing these docile giants. A staggering 633 rhinos were illegally poached in 2012 (as at 19 December - stats HERE), almost 200 rhinos more than 2011 and 300 more than in 2010, bringing the total poaching figure since the end of 2009 to a mind-boggling 1414. At the moment it doesn't seem like there is much that can be done to curb this alarming trend, fueled by a newly wealthy Asian market that falsely believes that the horn has medicinal properties. For more info, check out the SAVE THE RHINO and STOP RHINO POACHING campaigns.
 

11. Kiss me Please (bonus image)
Kgalagadi Transfrontier Park, South Africa

Nikon D3s  |  Nikkor 500mm f4 VR-II  |  f8.0  |  1/1000 SS  |  ISO-360


I'm including this one as a bonus because it's a fun moment and to show you that I don't just focus on the large and iconic African species. If you look at last year's post you'll see bigger specie-variety, this year just panned out to be a great year for me in terms of the larger and more "typically African" mammals.

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 There you have it, friends. I would love for you to tell me which was your favourite of this selection - and why! Drop me a comment on this post and let me know. I hope 2013 holds great light and great sightings for you all.

One more thing - this year saw another increase in our household! Since I posted a photo of our daughter last year, I better post a photo of our son this year lest they compare these posts years later. This is little Daniël!



Keep well, and keep shooting!

Morkel Erasmus

Monday, 8 August 2011

First Nikon D3s results

So, I received my new photographic equipment on Friday...and took it for a test run on Saturday at the Rietvlei Nature Reserve in Pretoria, South Africa.

Let me say right off the bat that I am by no means a technical gear-tester-cum-review-writer...for that there are many fine websites all over the world where they do extensive testing with colour charts, sharpness metrics and fancy lab results. I can only reflect here how I experience the equipment based on my techniques and preferences in real-world shooting.

Anyhow, here are some initial results obtained with the Nikon D3s and the Nikkor 500mm f4 VR-II lens (with and without the TC-14E-II teleconverter).

This first image is of a male ostrich walking towards me. This is basically full frame and is chock full of details. The image quality is something else and there is no grain visible at all on this shot (taken at ISO-800).

f4  |  1/1250 SS  |  ISO-800

Here is a close-up of the same ostrich's face. This was cropped from 12 megapixels down to 3.5 megapixels, and have a look at the detail retained.


f4  |  1/2500 SS  |  ISO-800


This herd of zebra shows how beautifully the 500mm lens renders the out-of-focus background:
f5.6  |  1/1600 SS  |  ISO-400

It's a well-known fact by now that this camera excels in low-light situations because of its excellent handling of high ISO settings. The benefit for bird/wildlife/sports photographers is not just that it handles poor light well, it's also that the excellent image quality attainable at high ISO settings translates to a much faster shutter speed being possible when the light is decent. Here are a few shots taken on this particular morning with higher ISO settings. These were taken with the 1.4 teleconverter attached.


f5.6  |  1/3200 SS  |  ISO-1600
f5.6  |  1/1250 SS  |  ISO-1600

I also went one step further to test the high ISO capabilities of the D3s. I took the camera to church this morning with the aim of doing some low-light photography on our stage. For this purpose I also took along 2 of my new lenses in my bag: the Nikkor 24-70mm f2.8G ED and Nikkor 14-24mm f2.8G ED.

Both these lenses excel in low-light situations...and I was amazed by the overall results. The following photos are directly out-of-camera, I did not even apply slight adjustments in the conversion of the RAW files (NEF files).

Test Shot 1: ISO-3200
Most of you won't know that my other favourite pastime is making music. Before photography came along and completely ruined my budget and time allocation I was a very active touring musician (vocalist/guitarist), now I mostly play and sing at our church and for friends and family. This is my favourite electric guitar, a PRS Custom-22. This was photographed with the ambient light from the stage lights and no camera flash was used.

f2.8  |  1/30 SS  |  ISO-3200


Test Shot 2: ISO-12800
I photographed our drummer, Mike Botha, on stage using the 14-24mm lens and some fill flash from the Nikon SB-900 speedlight. Again, this is straight out of the camera at a ridiculously high ISO setting...

f22  |  1/60 SS  |  ISO-12800

Well, there you have my initial images taken with some of my new kit. I might post some sample images of my experience with the Nikon D7000 at a later stage.

Curious to know what you think?

Regards,

Morkel Erasmus