Friday, 23 July 2010

Continuous Improvement

Many of you will have noticed that I have been making a few changes on the look, layout and overall content of my blog. It's just the natural progression of being new to blogging  and also the progression I am seeing in the development of my art as a photographer. 

Wednesday, 14 July 2010

The obsession with eye contact

The last time I blogged, I spoke about "seeing the bigger picture" when you are out taking photos. In the meantime I was privileged to do a guest post for Photo-Africa about the Kgalagadi Transfrontier Park as a safari destination (check it out here

I thought it prudent to share more of my thoughts on alternative approaches to wildlife photography. If you frequent various online photography forums (like I do), you will often find the critiques given lamenting the lack of better eye contact and/or a glint in the eye (catchlight). Now while this may be valid in many of the cases, this doesn't mean you should pack away your camera in situations when you're not getting that golden eye contact from your subject. Often while on safari we will be faced with a situation where the most gorgeous animal presents itself, only to spitefully shy away from eye contact with the tourists/photographers.

Thursday, 1 July 2010

Seeing the BIGGER picture...

When I first made the switch from "point-and-shoot" snapper to a bona fide DSLR photographer, I couldn't wait to get my first close-up shots of my favourite animals. But alas, it didn't take me very long to get bored with getting standard close-up shots. Why? Mainly because everyone with a half-decent lens has them. You see, for me it was never going to be about just "getting" the photo. It was always going to be about creating art. Now don't get me wrong, for many people getting the photo is enough and it's the only reason they lug around a camera and some lenses on their safaris...and each to his own indeed. I've just always been artistically wired and on top of that I always throw myself 200% at something I'm passionate about (something which can be frustrating for people around me!).

So it didn't take very long for me to start becoming very aware of the myriad of possibilities that exist with every photographic opportunity that I encounter. Not that I recognise ALL the possible compositions and variations - oh no! Often I have come home and looked at the photos I created, only to realise then that I could have done something differently and it would have made all the difference in the world! In those moments, I try and file the mistake as a lesson learnt to tap from when faced with a similar opportunity.