Emergence

The sun has just set after another blissful day in this piece of remote wilderness.

In front of me is a life-giving waterhole in a harsh land, where a myriad of animals came to quench their thirst during the heat of the day...

One animal was still thirsty, though, and for some reason he had waited until everyone was gone and he could have the waterhole to himself.

I first notice him emerging from the treeline behind me...a phantom in the dusk light.
He takes note of the human presence in his path, and swerves slightly to make his way around my position towards the water. He is an experienced old warrior, the signs of many battles etched on his face and in his ears.

He sports a defense weapon that is in high demand by certain misinformed members of my species - and that makes him a constant target. Does he know this?? I doubt it. At least in this remote corner of Africa, he is safe at this particular moment as I am watching him approach, watching him emerge from the shadows...

As he scuffles towards the water, dust kicked up lingers, and all the way he seems to be "emerging" from the dust and the fading light, like a ghostly apparition. He moves very quietly for an animal of his bulk and stature...

The light is gone. I can barely make out his shape. I dial in a very slow shutter speed to limit my ISO to within the 4000-6400 band, which I know my camera can handle with aplomb.

Nikon D3s  |  Nikkor 500mm f4 VR-II  |  f4.0  |  1/60 SS  |  ISO-4500

I grab a few photos, being careful to pan lightly with him as he moves (given my slow shutter speed). Then I put the camera down and enjoy the moment. So many wildlife photographers these days forget to merely enjoy the moment, being so caught up in grabbing that "winning photo". 

We need to admire once again what drove us to take cameras on safari in the first place...
We need to maintain our respect for the natural world, instead of pushing too deeply into the natural rhythms and disturbing out subjects for "the shot"...
We need to view our subjects like we first viewed them, through the eyes of awestruck children...

We need to emerge as a driving force in raising awareness for the wildlife we love photographing, and to do that, we need to let go of our narcissism and egos...

Morkel Erasmus

Lying down with a Cheetah

I often extol the virtues of being able to photograph wildlife subjects at eye level.

There are a couple of ways to achieve this, and the most obvious question that comes up is what to do about cases where you are in reserves or national parks that restrict you to being in a vehicle at all times...

Through careful vehicle positioning, reading the lay of the land and predicting the positioning of the animal relative to that can go a long way to achieving that high-impact eye-level image. Good use of telephoto lenses and their compression factor can also aid you here (parking a bit further so the relative perspective to your subject appears lower).

The use of special underground bunkers are also a recent development that have ensured that photographers are able to get close to their subjects and shoot from a ground-level perspective.

The most special and electrifying way to do this, though, in my humble opinion, is to be on foot with the animals. There are a couple of places that allow you to be out and about, and with the right guide present you can have a magnificent wildlife experience (regardless of the photos you bring home). You've seen me post photos from Mana Pools in Zimbabwe, where walking safaris is a big drawing card...but there's a reserve that recently opened up in South Africa that boasts painted dogs and cheetahs that are quite habituated to humans on foot, and they are still fully wild and hunt for themselves. This place is called Zimanga Private Game Reserve, and the owner, Charl Senekal, has gone to great lengths over a long period of time to habituate his wild born free ranging predators to human movement and presence.

I captured this photo of one of the male cheetahs of Zimanga late one afternoon earlier this year. I was lying flat on my belly in the bush, a mere 15 meters from him. He was totally relaxed - until an elephant bull stumbled upon us, smelled him, and chased him up (as Charl and I made a careful retreat back to the vehicle, haha). These experiences always mean so much more to me than the actual photos.

Techs:
Nikon D3s
Nikkor 500mm f4 VR-II
f4.0  |  1/320 SS  |  ISO-800

click on the photo to view at optimal resolution and sharpness

Here's a photo Charl took of me in action...

Those of you who are attending the PHOTO & FILM EXPO at the Dome in Northgate, Johannesburg this coming weekend, be sure to check out my talk at 16h00 on Friday afternoon (31 October 2014) where I will discuss the concept of context and creativity in wildlife photography. Come say hello!

Morkel Erasmus

Two Young Kings

I thought it apt to post something that is NOT a "wider-showing-environment-animalscape" for a change, to show you that I do photograph tight, close portraits as well when I am in the field.

I was privileged to spend some quality time with these two brothers in Etosha last year during a week's intense photography and adventure with my friend Hans Rack. They were very cooperative models, and on my last afternoon in the reserve they posed very nicely in that soft glorious post-sunset light of Africa. The front-most lion was playing with a stick that you can see sticking up from the bottom of the frame.

I love the repetitive poses here, and the earthy tones in the shot overall.

Techs:
Nikon D800
Nikkor 500mm f4 VR-II
f5.6  |  1/200 SS  |  ISO-4000
Pretty much full frame, cropped a sliver off bottom to remove grasses protruding from the bottom and a sliver from the LHS for balance

click on the photo to display at proper resolution and sharpness

Thank you very much for following my work. Feel free to share with like-minded people!

Morkel Erasmus

Dusk Zebra

I absolutely love photographing wildlife in the soft light just before sunrise or after sunset. There's a luminous soft glow and saturating mood that you just don't get in any other kind of natural light. I literally don't care what my subject is when I'm in this precious short window of light...

This particular photo was taken in the Mountain Zebra National Park of South Africa, a small reserve which has immensely beautiful vistas all around and is a highly underrated safari destination. Situated in the Karoo semi-desert near the town of Cradock, this National Park now sports lions and cheetahs, along with several interesting herbivore species and it's also a hotspot for seeing the elusive Aardwolf! 

This photo shows the endangered Cape Mountain Zebra (from whom the park takes its name). This species was critically endangered in the early 1900's but was brought back to a sustainable population thanks to the efforts of the South African National Parks, with the establishment of this particular National Park in 1937 no small step in securing their future.

You can read more about the park HERE.

Techs:
Canon 7D
Canon 300mm f2.8 L IS USM
f2.8  |  1/100 SS  |  ISO-1600

Enjoy your day, friends!

Morkel Erasmus

Happy Hour Rush

Elephants love water. You know that by now (at least some of you do). I love watching breeding herds rush to the water as they start to smell the nourishment. One of the best places to do this is around the waterholes of Etosha National Park in Namibia, which is exactly where I am headed from tomorrow...

This photo is from an earlier visit to this magical place. The dust, the dusk sky (past sunset already) and the rushing herd in an open setting made for fantastic viewing and photography. With the sun already set, I needed to push the ISO and drop the shutter speed a bit to get a sharp shot and keep the ISO from rocketing to the 50,000s. This photo is best viewed against a darker background to pick up on all the subtle detail.

Techs:
Nikon D3s
Nikkor 500mm f4 VR-II
f4.0 | 1/250 SS | ISO-4500
Exposure Bias -1 EV (to accentuate mood/dust and also get ISO a bit lower)

click on the photo to display properly

 You can look forward to more images from Etosha when I return!

Morkel Erasmus